Apparently in Order explores the shifting boundaries between what appears ordered, what remains unseen, and what becomes possible when those boundaries begin to move.
Apparently in Order questions the notion of order: what appears ordered to us, and what we make of that order. Before movement, displacement, or a shift in the boundaries that define it, the world seems fixed in a given state. Yet as soon as the point of view changes or its limits begin to move, another order emerges and previously unseen forms become visible.
Bringing together the work of Benjamin Tenko, Anton Hasler and Rosalie Evard, the exhibition considers the artist as an agent of this displacement. Rather than simply representing the world as it is, each artist opens a space in which other configurations, narratives and ways of seeing can emerge.